3 Ocak 2013 Perşembe

New Release: David Guetta Featuring Taped Rai - Just One Last Time

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David Guetta, real name Pierre David Guetta, has definitely become one of the most popular DJ's of all time, and his career in the music industry will, from now on, be endless. However his most recent album has spawned 8 singles, believe it or not, surely we will be seeing a new album soon! This song features unknown Taped Rai. All the info I can get on this duo band is that they are from Sweden and consists of two people. They are new, and if they were spotted by David Guetta, they are clearly great, and they will be a duo that may just become a highlight of 2013. Watch out for them, and by the time they have a big hit on their hands, I should have more information about them, hopefully.

"Just One Last Time" was written by David Guetta, Giorgio Tuinfort, Tom Liljegren and Alexander Ryberg. It's extremely catchy and I'm sure I've heard it a few times in the club. However it's not doing well climbing the iTunes chart, and it makes me question why the UK aren't taking it that well. Personally, I think it's not our sort of thing, on the other hand I really like it, and I hope that radio play will pick up and make this song liked by more people.

This music video is amazing. It's the only word I can use to describe it. I first saw this on the music channels, and at the end I was really upset, luckily I held back tears. But this ending is really not something I expected.

This narrative-based music video is supposed to flow perfectly, but I get confused easily (in case you haven't noticed), and so I don't quite understand the start. Clearly he snuck out of his girlfriend's house to play pool, but when he returns the house is in flames. And his girlfriend is dead. But when he lies down and these robot things enter his ears, he relives his memories, only this time around he goes in and saves her, but ends up dying himself. Has he changed the past, or is this just a dream or a wish?

There's an extra performance piece by David Guetta, I think it's him. And it kind of reminds me of his DJ set of "Where Them Girls At", only with fire instead of bubbles.

Overall, an extremely catchy song that gets better and better the more you listen to it. The accompanying music video is tearful, but confusing too, but has everything I need for a top rating. It just misses out because I don't get the start, and I don't think I ever will.

Celine Dion 2013 Vegas Schedule

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Celine Dion
Celine Dion (Photo credit: ladybugbkt)
Make sure to check out Celine Dion when she appears at the Colosseum in Ceasars Palace in Las Vegas, NV. Here's her full schedule:
Dec 28, 2012Dec 30, 2012Dec 31, 2012Jan 3, 2013Jan 5, 2013Jan 6, 2013Jan 9, 2013Jan 12, 2013Jan 13, 2013Jan 15, 2013Jan 16, 2013Jan 18, 2013Jan 19, 2013Jan 20, 2013Feb 19, 2013Feb 20, 2013Feb 22, 2013Feb 26, 2013Feb 27, 2013Mar 2, 2013Mar 3, 2013Mar 5, 2013Mar 6, 2013Mar 9, 2013Mar 10, 2013Mar 12, 2013Mar 13, 2013Mar 15, 2013Mar 16, 2013

Kid Rock 'Rebel Soul Tour' Schedule

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Kid Rock
Kid Rock (Photo credit: jrandallc)
February 2, 2013 is the first date for Kid Rock's new worldwide tour "Rebel Soul Tour". The tour will kick off in Kansas City at the Sprint Center on February 2, 2013 and end at the KFC Yum! Center in Louisville, KY on March 2, 2013. The Twisted Brown Trucker Band will be his backing group. 
Kid Rock's newest album, Rebel Soul, is his seventh studio album and is currently at number five on the Billboard 200 albums chart. 
Kid Rock will appear at the Hard Rock Live in Hollywood, FL for 2 nights, Dec. 30 and Dec. 31. Listed below is Kid Rock's tour schedule of the first leg of his worldwide tour:
Hard Rock Live At The Seminole Hard Rock Hotel and Casino - Hollywood, FL - 12/30/2012Hard Rock Live At The Seminole Hard Rock Hotel and Casino - Hollywood, FL - 12/31/2012Sprint Center - Kansas City, MO - 2/2/2013JQH Arena - Springfield, MO - 2/5/2013Ford Park Pavilion - Beaumont, TX - 2/7/2013Bank Of Oklahoma Center - Tulsa, OK - 2/9/2013INTRUST Bank Arena - Wichita, KS - 2/10/2013CenturyLink Center - Bossier City, LA - 2/13/2013Bridgestone Arena - Nashville, TN - 2/15/2013Bi-lo Center - Greenville, SC - 2/16/2013Germain Arena - Estero, FL - 2/18/2013Pensacola Civic Center - Pensacola, FL - 2/20/2013New Orleans Arena - New Orleans, LA - 2/21/2013BJCC Arena - Birmingham, A - 2/23/2013Von Braun Center Arena - Huntsville, AL - 2/24/2013Greensboro Coliseum - Greensboro, NC - 2/26/2013Knoxville Civic Auditorium - Knoxville, TN - 2/27/2013Fedex Forum - Memphis, TN - 3/1/2013KFC Yum! Center - Louisville, KY - 3/2/2013

Kid Rock tour tickets can be found here!

Barry Manilow 2013 Tour Dates

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Recently releasing his new album "15 Minutes", Barry Manilow will go on a limited tour. He will appear at the Mohegan Sun Arena in Uncasville, Ct. on April 13, 2013, Consol Energy Center in Pittsburgh, Pa on April 19, 2013, the 1st Mariner Arena in Baltimore, Md on April 20, the Gwinnett Convention Center in Duluth, Ga. on April 27, 2013 and finally for three nights at the Greek Theatre in Los Angeles, Ca. on June 14, 15 and 16th, 2013.
Mohegan Sun Arena - Uncasville, CT - 4/13/2013Consol Energy Center - Pittsburgh, PA - 4/19/20131st Mariner Arena - Baltimore, MD - 4/20/2013Gwinnett Convention Center - Duluth, GA - 4/27/2013Greek Theatre - Los Angeles, CA - 6/14/2013Greek Theatre - Los Angeles, CA - 6/15/2013Greek Theatre - Los Angeles, CA - 6/16/2013
Barry Manilow Tickets

Black Crowes 2013 Tour Dates

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After almost 3 years on hiatus, The Black Crowes have announced a 2013 Spring Tour. The tour will kick off in the United States on April 2, 2013 in Port Chester, NY at the Capitol Theatre. The last time the band toured was for their 20th anniversary in 2010. The band will also release a new album "Wiser For The Time" in March of 2013 which they will celebrate on their 2013 tour. The Black Crowes will visit fifteen different cities which will end on May 4, 2013 at the Mahalia Jackson Theatre in New Orleans. Find The Black Crowes concert schedule below:
Capitol Theatre - Port Chester, NY - 4/2/2013Capitol Theatre - Port Chester, NY - 4/3/2013Terminal 5 - New York, NY - 4/5/2013Terminal 5 - New York, NY - 4/6/20139:30 Club - Washington, DC - 4/8/20139:30 Club - Washington, DC - 4/9/2013House Of Blues - Boston, MA - 4/11/2013Electric Factory - Philadelphia, PA - 4/12/2013The Fillmore - Detroit, MI - 4/14/2013Vic Theatre - Chicago, IL - 4/16/2013Vic Theatre - Chicago, IL - 4/17/2013The Pageant - Saint Louis, MO - 4/19/2013Ryman Auditorium - Nashville, TN - 4/20/2013Ryman Auditorium - Nashville, TN - 4/21/2013The Tabernacle - Atlanta, GA - 4/23/2013House Of Blues - Dallas, TX - 4/25/2013Stubbs BBQ - Austin, TX - 4/27/2013House Of Blues - Houston, TX - 4/28/2013Mahaffey Theater - Saint Petersburg, FL - 4/30/2013House Of Blues - Orlando, FL - 5/1/2013Mahalia Jackson Theater - New Orleans, LA - 5/4/2013
Black Crowes Tickets

2 Ocak 2013 Çarşamba

New Music Gear Monday: The Yamaha/Steinberg Nuage

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People that work on Nuendo absolutely love it, as well they should. It has a slick user interface and it sounds great. One of the things that the platform has sorely needed was a worksurface as good as the software, something that Steinberg, then Yamaha has struggled with. That now may be over with the introduction of Nuage (which is French for cloud).

Nuage is an integrated system comprised of worksurfaces, a Master Control unit, analog and digital IO, and a PCI network card. It's designed to work at up to 128 channels of 192k/24 bit source audio, which while impressive, is overkill since Yamaha says the unit is directed at post, which is a 48k/24 bit world.

Take a look at the video. Nuage is slick and you get the feeling that you can just jump right in and work. The price is said to be $18,000 to $30,000, depending upon the configuration, which might be a little too pricey for the American market. I'm sure we'll learn more at NAMM in January. Visit the Nuage page for more info.




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How To Play Funk

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Here's a great clip from Herbie Hancock's Rock School series about how to play funk. It features some greats like Larry Graham, Bootsy Collins and Nile Rogers as they show in slow motion how to bring the funk. Rock School ran on PGS from 1985 through 1988.



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Dave Grohl's "Sound City" Documentary

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For those of you who've never been around the LA recording scene, you probably don't know about Sound City Studios. This was a sort of dumpy studio in an industrial part of town about as far away from the glamour of Hollywood that you can get, yet some of the best records of all time were made there. Artists like Neil Young, Fleetwood Mac, Tom Petty, Nirvana, Nine Inch Nails, Cheap Trick, Elton John, Metallica, Foo Fighters, and so many more legendary artists made some of the greatest rock recordings of all time at the studio.

Unfortunately the studio closed about a year ago, but its memory lives on thanks to a new documentary by Foo Fighter's frontman and Nirvana drummer Dave Grohl called appropriately enough "Sound City." The film will debut at the Sundance Film Festival, but a trailer for it was just released, which you can see below. I can't wait!



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Building Your Mix: It's Not Just From The Kick

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Building Your Mix image from Bobby Owsinski's Big Picture production blogMany musicians new to mixing are not aware that there are a number of places that you can build a mix from. There's a general feeling that starting from the kick drum is the best way, but that's far from the only starting point available. In this excerpt from The Audio Mixing Bootcamp book, you'll see that there are many alternative places to successfully start from when building a mix.

"Despite what you might think, there is no standard instrument to start and build a mix from. Modern mixers employ various techniques and they’re all valid, especially in different genres of music. For instance, here are the places from which a mix can be started:
  • From the Bass
  • From the Kick Drum
  • From the Snare Drum
  • From the Drum Overheads
  • From the Lead Vocal or main instrument
  • With all of the instruments and vocals in right from the beginning
  • When mixing a string section, from the highest string (violin) to the lowest (bass)
There are some mixers that just push up all the faders and mix with everything in the mix from the beginning. The theory here is that everything will eventually be in the mix anyway, you might as well start with it all in as soon as you can. The advantage to this method is that by hearing all the instruments and vocals, you’re able to make an aural space for everything. If you insert one instrument at a time, you begin to run out of space and frequently have to go back to the beginning to make sure everything fits together properly.

I start with everything on and I work on it like that. The reason is that, in my opinion, the vocal is going to be there sooner or later anyway. All the instruments are going to be there sooner or later so you might as well just get used to it. And I think that’s also what helps me see what I need to do within the first passage.  Jon Gass (mixer for eighty top 20 hits, one hundred top 40 hits, and more than a hundred gold and platinum albums)
Wherever you start from, it’s a good idea that the lead arrangement element (usually the the vocal) be inserted into the mix as soon as possible. Since the vocal is the most important element, it will use up more frequency space than other supporting instruments. Many mixers find that by waiting until late in the mix to put the vocal in, there’s not enough space left and the vocal just never sits right with the rest of the track."
You can read additional excerpts from this and my other books at bobbyowsinski.com.You also might want to check out the Audio Mixing Bootcamp video course at Lynda.com.
----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
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The Lost Stevie Ray Vaughan Interview

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Here's a great "lost" video interview with the late great Stevie Ray Vaughn from 1984 that I don't believe has ever been broadcast. This was obviously after his drinking and drugging days and he's very clear and present. In fact, he talks candidly about his nervous breakdown and his rehab. The interviewer isn't that great, but Stevie is awesome.



----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
Don't forget to check out my Music 3.0 blog for tips and tricks on navigating social media and the new music business.

1 Ocak 2013 Salı

Building Your Mix: It's Not Just From The Kick

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Building Your Mix image from Bobby Owsinski's Big Picture production blogMany musicians new to mixing are not aware that there are a number of places that you can build a mix from. There's a general feeling that starting from the kick drum is the best way, but that's far from the only starting point available. In this excerpt from The Audio Mixing Bootcamp book, you'll see that there are many alternative places to successfully start from when building a mix.

"Despite what you might think, there is no standard instrument to start and build a mix from. Modern mixers employ various techniques and they’re all valid, especially in different genres of music. For instance, here are the places from which a mix can be started:
  • From the Bass
  • From the Kick Drum
  • From the Snare Drum
  • From the Drum Overheads
  • From the Lead Vocal or main instrument
  • With all of the instruments and vocals in right from the beginning
  • When mixing a string section, from the highest string (violin) to the lowest (bass)
There are some mixers that just push up all the faders and mix with everything in the mix from the beginning. The theory here is that everything will eventually be in the mix anyway, you might as well start with it all in as soon as you can. The advantage to this method is that by hearing all the instruments and vocals, you’re able to make an aural space for everything. If you insert one instrument at a time, you begin to run out of space and frequently have to go back to the beginning to make sure everything fits together properly.

I start with everything on and I work on it like that. The reason is that, in my opinion, the vocal is going to be there sooner or later anyway. All the instruments are going to be there sooner or later so you might as well just get used to it. And I think that’s also what helps me see what I need to do within the first passage.  Jon Gass (mixer for eighty top 20 hits, one hundred top 40 hits, and more than a hundred gold and platinum albums)
Wherever you start from, it’s a good idea that the lead arrangement element (usually the the vocal) be inserted into the mix as soon as possible. Since the vocal is the most important element, it will use up more frequency space than other supporting instruments. Many mixers find that by waiting until late in the mix to put the vocal in, there’s not enough space left and the vocal just never sits right with the rest of the track."
You can read additional excerpts from this and my other books at bobbyowsinski.com.You also might want to check out the Audio Mixing Bootcamp video course at Lynda.com.
----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
Don't forget to check out my Music 3.0 blog for tips and tricks on navigating social media and the new music business.












Remembering Ravi

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Ravi and George image from Bobby Owsinski's Big Picture blogIndian sitar master Ravi Shankar passed away yesterday, so I thought it appropriate to tell a couple of stories of when I met the man. Now these were extremely brief, almost incidental encounters, but he left such an impression that I believe they're worth passing on in his honor.

I met Ravi at a party at Pacific Ocean Post Sound, which was then owned by co-founder Alan Kozlowski. Alan is a remarkable man in that here he was the CEO of one of the most influential post houses in Los Angeles, yet he was a great guitar player who refused to give it up. In fact, his passion was so great that he even played tamboura with Ravi on dates in the area. The two had a special bond, with Alan calling him "my father."

POP is a huge facility with 11 state-of-the-art mixing stages, but as soon as I got there I was drawn to one of the larger lounges for some reason. As I was peeking inside I found a radiant Ravi holding court. Radiant is a good word for him because he was indeed brighter than anyone else in the room almost like there was a halo around him. Now I wasn't a particularly big fan of his, so this has nothing to do with being star-struck, but there was something about him that was indeed larger than life. And he really glowed! It was as if there was a shining light around him that I can still see in my mind.

There was something about the man that drew everyone to him. He was quiet and demure and not at all trying to be the center of attention, yet he was the focus of everyone in the room. I don't attribute this to his superstardom or his talent as much as his spirituality. It was a magnetic and unrelenting forcefield that you were drawn to and couldn't break away from.

We were introduced, I said virtually nothing of importance, and was as nice as could be considering that was probably about the millionth time he was in that same situation. But I distinctly remember being in his presence and that is something that will live with me forever. I've met many a superstar and some have a distinct aura about them, but none could compare to whatever it was that came from that mild, soft spoken man.

My second experience with Ravi Shankar came a few weeks later. I was given some tickets to a concert that Alan was playing with Ravi at Pasadena City College. My tickets said they were in Row YY, which I assumed was as far back in the room as you could get. When I got there and gave my ticket to the attended, sure enough we went to the last row of the balcony, only to find that there was no Row YY there. After a brief conference with another attendant, the girl turned to me with a smile and said, "I know where you're going," and proceeded to take me down to a near center seat in the first row!

The concert started almost immediately so I didn't have much time to get my bearings in the grand scheme of where I was in the audience. At a Ravi concert, the doors are locked when the raga begins and everything gets respectfully quiet, so you have to get settled quickly. About 20 minutes into the raga (the first one lasted 45 minutes) I started to notice the people around me. On my left was a guy wearing an old red plaid flannel shirt with slightly long unkept hair and about a 3 day beard. I thought I knew him from somewhere but couldn't place him. Another 10 minutes and another quick look - could it be? Another 5 minutes - naw, can't be him. Finally at the end of the raga we were both clapping and looked at each other and smiled and I thought to myself, "I'm pretty sure that's George Harrison."

At the end of the next raga we exchanged some brief small talk, and of course, he had that unmistakeable Liverpool accent, but I still wasn't sure it was him until the end of the concert, when he climb on stage from his seat and hugged a rather pleased Ravi Shankar. Yes, it was George.

Let me just say that a Ravi Shankar concert held the exact same vibe as the man. It was larger than the music. It was a spiritual experience (the only other concert where I felt this was with Carlos Santana). You didn't have to like the music, because there was something larger than that involved, and it touched everyone who was there. Not many artists, especially these days, can do the same.

In my extremely brief time with him, Ravi made an indelible mark. I can only imagine what it could have been with more exposure. Hopefully he and George are now playing ragas together again.

----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
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The Beatles Final Ed Sullivan Appearance

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For those of you who watched the 121212 Telethon last night for the victims of Hurricane Sandy (please donate, they really need your help), you saw Paul McCartney and his great band rock the house at the end of the show. Of course, Paul was in another great band before he went solo (and I don't mean Wings). Here's a great clip of Paul with his former band The Beatles on their final appearance on The Ed Sullivan Show on August 14, 1965.

Ed gave a great portion of his one hour show to the band, allowing them to play "I Feel Fine," "I'm Down," "Act Naturally," "Ticket To Ride," "Yesterday," and "Help."

Notice a few things. First of all, Lennon screws up the words a lot on the first and last songs. Secondly, all the amps were miked, which didn't happen on TV back in the 60's, certainly not on their pervious appearances on the show. Then there's the single mic on Ringo's drums. And finally, The Beatles were truly a great band, being able to bring it live just like in the studio. Those vocals are awesome!

The quality of this video is really great, which is an added treat. All four of their Sullivan appearances are also available on a DVD.



----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
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13 Holiday Gift Ideas For The Musician Or Engineer

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It's that time of year again when it's time to buy some gifts. It you're in a quandary about what to buy for that musician or recording engineer in your life, you're in luck. I have a list of recommendations that covers a variety of items and price ranges. Most of these products I use regularly.


Abbey Road to Ziggy Stardust image from Bobby Owsinski's Big Picture blog1. Abbey Road To Ziggy Stardust
Ken Scott is a true legend, having worked with the likes of The Beatles, David Bowie, Elton John, The Stones, Kansas, and Devo, to name just a very few, and his story is a great one. I admit that I'm biased since I co-wrote the book, but I gotta say that every time I read something from it, I get drawn back in and forget that I was even involved. A great gift for anyone that's a fan of the music, engineering or the music business. You can read more about it at abbeytoziggy.com.




Audio Mixing Bootcamp image from Bobby Owsinski's Big Picture blog
2. Books by Bobby Owsinski
Okay, so I'm a little biased, but if you're looking for a book for someone in the music business, you'll hopefully find one of mine that will hit the sweet spot. There's something for everyone, including books on mixing, recording, recording drums, mastering, being a studio musician or a touring musician, improving your band, producing, navigating the new music business (the second edition of Music 3.0), studio building, guitar tone, making videos, as well as a couple of new exercise books for mixing and recording. From about $16 to $30.






Etymonic ER20 Earplugs image from Bobby Owsinski's Big Picture blogLynda.com Audio Mixing Bootcamp image from Bobby Owsinski's Big Picture blog

3. Etymonic ER20 earplugs
I personally never go into a loud audio situation without these little gems. They are soooo much better than foam or wax earplugs in that they cut the level down without affecting the frequency response. Since I found the Etymotic Ear Plugs, I feel absolutely naked and scared when I don't have them on me. At around $10, you just can't go wrong.




4. Courses From Lynda.com
If you don't know about Lynda.com then you really should. It's the #1 portal on the Internet for video learning, with over 1600 high-quality courses on just about any kind of high-tech you can think of. I was lucky enough to do a version of the Audio Mixing Bootcamp and Audio Recording Basic Training books for them that a lot of people really like. Lynda is just $24.99 for a full month, which allows you to access as many courses as you can watch. I watch them all the time and they're the best training there is (beats the crap out of YouTube). Here's a free 7 day trial, and you can also check out my free Mastering for iTunes course.




5. NewerTech Voyager Q Hard Drive Dock
Granted, this is a little geeky, but a total boon to the hard working in-the-box engineer. Raw hard drives are so much cheaper than buying them already in the cases, but how to connect them? Use a drive dock, that's how. This version of the Voyager is the one I use every day. It allows you to hot-swap drives and connects to the computer via Firewire 400 and 800. eSATA, and USB 3, so you won't have any hiccups editing video or that project with 100 96k/24 bit tracks. It's about $75.



Etymonic ER4 Earphones image from Bobby Owsinski's Big Picture blog



6. Etymonic Research ER4 Micropro Earphones
Not only do these things sound great, but they're the absolute best for traveling, as they're small and compact and provide great isolation and high-quality audio. If they're too pricy for you at $80, try the $49 HF5's instead. Either one makes a terrific gift.








Equator D5 monitors image from Bobby Owsinski's Big Picture blog
7. Equator DS5 Monitors
I just covered these in the last edition of New Music Gear Monday, but let me say that you just can't find a better pair of monitors at this price point ($299) anywhere. Heck, you might have a hard time at twice as much, they're that good. Get the matching isolation pads too, an absolute bargain at $20!





8. FMR Really Nice Compressor
Everybody wants big bang for the buck and you can't get a bigger bang than the products from FMR, especially their Really Nice Compressor. The RNC provides excellent high-quality compression complete with a special "Super Nice" mode that chains multiple compressors together internally for an especially smooth sound. At $188, it can't be beat. While you're at it, buy one of their Really Nice Preamp as well, a great sounding preamp for an amazing price.




Music 3.0 book cover image from Bobby Owsinski's Big Picture blog

9. Music 3.0: A Survival Guide For Making Music In The Internet Age
Sorry, but I had to feature one of my own books. Music 3.0 is the definitive book on the music business today as it shows you how to take advantage of the vast number of changes that the industry has undergone recently. It includes everything about social media that you need to know in order to communicate, promote and sell directly to your client or fan, as well as some traditional media tricks as well. You can read more about the Music 3.0 Internet Music guidebook, as well as some excerpts, here. Once again, a great gift for that music or engineer alike!




10. Golden Age Project Pre-73
Everybody wants a Neve preamp but a lot of us just don't have the dough to spring for a couple of channels of 1073s. The Golden Age Project Pre-73 was built to sound a lot like the 1073 and it does a pretty good job of it. It's not the real thing, but for only $350 it's surprising how close it gets.







Music Success in 9 Weeks image from Bobby Owsinski's Big Picture blog

11. Ariel Hyatt's Music Success In 9 Weeks
Ariel Hyatt is one of the smartest people in the music public relations business and a real pioneer in social PR. This book teaches you the right way to get ahead in the business using social media, and fills in where Music 3.0 leaves off.

Monoprice 8323 Headphones image from Bobby Owsinski's Big Picture blog






12. Monoprice 8323 Headphones
It's shocking how good these phones are for about $28. They're pretty comfortable, have a really tight fit, and provide a surprisingly balanced sound. In fact, I would trust the low end on the 8323's more than on a couple alternatives that I have that cost 4 or 5 times more. Don't let the "DJ-style" in the description scare you, these are terrific for the price.



13. Royer R-101 Ribbon Microphone
There's now a number of cheap ribbon mics on the market, but let's face it, they sound like crap compared to the real deal like a Royer R-121 or a vintage RCA DX-44. Now you can own a great ribbon mic for a reasonable price thanks to Royer's new R-101. It's about 40% cheaper than it's big brother and just the thing for recording electric guitars and horns of all type. Plus, it's a real Royer.


That's it for this year. Hopefully there's a little something in the price range you're looking for. I probably could have written about 10 more gift ideas, but I think I'll save them for next year. In the meantime, don't you deserve a present too?

----------------------------------Help support this blog. Any purchases made through our Amazon links help support this website with no cost to you.
You should follow me on Twitter for daily news and updates on production and the music business.
Don't forget to check out my Music 3.0 blog for tips and tricks on navigating social media and the new music business.

Predictions From Last Year

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Tablet Audio from Bobby Owsinski's Big Picture blogLast year at this time I made 7 predictions about things that would happen in 2012. Let's take a look at how I did. My current comments in italics.

1. Tablets take off for music production. For such a relatively new class of products, tablets like the iPad have quickly become a must-have device. While we've had some great music software available for it in 2011 (Garageband is insanely good for only $5), 2012 brings us the serious I/O and accessories needed to take advantage of it's portability. Hit this one on the head. Tablets took off in a big way with both some serious I/O and software entering the market late in the year. 

2. Plugins hit the wall. Yes, plugins sound great these days but that's the problem. Where do you go from here? When all the great analog hardware is successfully digitally duplicated by multiple companies (and even surpassed in some cases), it's harder and harder to come up with something new. Add to that the fact that the market is saturated, and you'll see some software companies falling on hard times in 2012. While there seems to be some plugin fatigue due to a lot of duplication (just how many compressors, flangers, chorus and delays can you make?), plugins still haven't hit the wall. This prediction may have been a year too early.

3. Pro Tools weathers the storm. While it may seem like this is the time when the Pro Tools hold on the audio industry is finally broken, let's not get too hasty. It's still the standard of the music and post business, and the pros (especially the big facilities) can't afford to make any changes now even if they wanted to (and they don't). If the pros use Pro Tools, than those aspiring to be pros must use it as well. We very well may see a new contender to the throne in 2012, but don't expect any big industry changes. Pro Tools does indeed look more vulnerable than ever, but there's been little erosion of their user base in 2012. I suspect that what will happen is that something new will sneak up on us in a way that before you know, everyone will be using it without much fanfare (Reaper perhaps?), but that's not happening as of yet. Scored on this one.

4. Studios make a comeback. Finally gear owners everywhere are beginning to realize that just owning the gear isn't the key to great sounding music (although it can be if you know how to use it, so keep buying those books, please) and the benefits of recording in a real studio. Look for the trend to continue in 2012 with even some new facilities coming online. Most of the larger studios are relatively busy, but they're not turning away business either. While it seemed like there was a major comeback underway there for a minute or two, it hasn't materialized as I thought it would. A miss.

5. SSD's are everywhere. I predicted this last year, but it was a bit premature. In 2012 you'll see the beginning of the end of the spinning mechanical hard drive and the inclusion of solid state memory in just about every newly designed piece of music gear. Add to that the fact that hard drives have actually gone up in price thanks to the recent floods in Thailand while SSDs (solid state drives) have continued to fall, and you'll find that you might have bought your last ever mechanical hard drive. Missed on this one too. SSDs may be the way of the future, but even the hard drive shortage didn't bring down the prices enough for everyone to forget about spinning magnetic drives.

6. Apple gets into the television business. This isn't directly about music production, but it does apply in a round about way. It's been rumored for a while that Apple will be introducing their own branded television soon, and that seems inevitable at this point. The bigger rumor is the fact that the user interface is every bit as groundbreaking as just about every other Apple hardware or software product. As a result, the digital living room will finally come pass in 2012. Virtually every other product that the company has released has affected music production, from their desktops to the Macbook Pro to the iPod to the iPhone (have you heard some of the music recorded on it?) and iPad. I predict that elements of the user interface of the iTelevision (or whatever it's called) will find it's way into the gear that we use to produce music, making things simpler and easier in the process. And this will happen in 2012. I think I missed this by a hair. The Apple TV was reportedly scheduled to make its debut late in the year but was pulled back to work on some interface and licensing issues. The rumors now are that we'll see it at MacWorld in late January. How will that affect the audio business? We'll still have to see.

7. EDM breaks out in a big way. Electronic Dance Music is the biggest trend that the mainstream music world still doesn't know about, but not for long. 2012 will be the year that it finally breaks out. Here's another one that I hit on the head. EDM definitely broke out big time in 2012.

Okay, so I only hit 3 out of 7, but that doesn't mean that the other 4 won't come to pass. In fact, you may see them all as a mainstay by the end of 2013. Have a happy new year everyone!
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